the Art Institute of Chicago and Tate Modern

and the projects within develop on this theme and offer a variety of fresh approaches to it

this volume seeks to unpack how medieval white Christian Europeans saw their world and how the fear of difference—so pervasive in society today—is part of a long tradition stretching back millennia

this beautifully illustrated volume takes readers on a visual tour through Los Angeles's iconic Getty Villa

MacArthur Fellowship

The Scores Project: Essays on Experimental Notation in Music, Art, Poetry, and Dance, 1950-1975 CAAMEMBER the Art Institute of ChicagoEdited by Michael Gallope, Natilee Harren, and John Hicks, with contributions by Emily Ruth Capper, George E. Lewis, Julia Bryan Wilson, Benjamin Piekut, and Nancy Perloff A collection of essays examining experimental scores and source documents from the postwar avant gardes, interpreted by experts on art, music, dance, and poetry. Individuals working in and across the fields of visual art, music, poetry, theater, and dance in the midtwentieth century