Åbningen i armaturets top giver en dekorativ oplysning af buen øverst og bevirker

Fod og top i hvid plast

der hed 3/3

Efter den afsluttende eksamen i 1927 blev han ansat i Stadsarkitektens kontor i København

the original version of the chair

Neverending Glory bordlampe Meret Oppenheim Åbningen i armaturets top giverSkulpturelle bordlamper i hndblst glas, designet af Jan Plech og Henry Wielgus. Jan Plech and Henry Wielgus sketched the shape of the Lasvit Neverending Glory chandeliers by rotating the silhouette around its own axis. The large pieces of glass, for which even the wooden moulds are enormous are so demanding to produce that it would not be possible to create anything bigger. In the individual silhouettes, it is possible to recognize iconic chandeliers